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education. has poems published in the prose poem, willawa, the woolf and the waye."},{"t":"Casey Clough","u":"/contributors/casey-clough/","k":"Contributor","s":"Contributor","x":"casey clough is a writer from south carolina. her short fiction won the ucla kirkwood prize in 2024."},{"t":"Charles Richard Livesay","u":"/contributors/charles-richard-livesay/","k":"Contributor","s":"Contributor","x":"charles richard livesay is a teacher from knoxville, tn. he has been published by strange horizons, oh reader, pictura, and others. he watches birds, reads books, and sometimes forgets to take out his earbuds. when that happens, haim haunt his dreams."},{"t":"Dira Ya Wiranti","u":"/contributors/dira-ya-wiranti/","k":"Contributor","s":"Contributor","x":"dira wiranti is a writer and poet from south bengkulu, indonesia. her work often explores the intersection of human emotion, digital culture, and the quiet resilience of rural life. when she is not writing her next fiction project, she can be found exploring natural skincare or helping her family in the rice fields."},{"t":"Hannah Dilday","u":"/contributors/hannah-dilday/","k":"Contributor","s":"Contributor","x":"hannah dilday is an emerging american writer residing in the netherlands since 2020. prior to relocating abroad, hannah earned her bs in philosophy from the university of oregon. hannah's poetry has appeared in maudlin house, mania mag, and one art, among others. last autumn, hannah joined the team at forevermore as an editor."},{"t":"H.G.","u":"/contributors/h-g/","k":"Contributor","s":"Contributor","x":"h.g. is an american poet based in new york. she holds an ma in history and is working on her first verse novel. her previous poems have appeared in the inflectionist review, the amphibian, the new verse news, and blue minaret."},{"t":"Lynnea Morales","u":"/contributors/lynnea-morales/","k":"Contributor","s":"Contributor","x":"lynnea morales (she/her) is a writer based in the greater toronto area. she completed her undergraduate studies at the university of toronto in psychology & creative writing. morales's writing explores mental health, culture, and healing through poetry, nonfiction, and fiction. her poem, 'dolls: defined', was featured in inventio's issue 5.2. in her free time, she enjoys basketball, music, and working with youth."},{"t":"Martin Fisher","u":"/contributors/martin-fisher/","k":"Contributor","s":"Contributor","x":"martin fisher's poems have appeared or are forthcoming in ink sweat & tears, poems, tales & other english words, cosmic daffodil journal, elysian literary, antae, and the gordon square review. his working life has taken him across africa and europe. he now lives in the uk, where he works as a professional gardener."},{"t":"Patty Paine","u":"/contributors/patty-paine/","k":"Contributor","s":"Contributor","x":"patty paine, author of *grief & other animals*, *the sounding machine*, and three chapbooks. her writing and visual work have appeared in blackbird, adroit, gulf stream, the denver quarterly, analog forever, lomography, hayden's ferry review, and other publications. she is the founding editor of diode poetry journal, and diode editions."},{"t":"B.R. Myles","u":"/contributors/br-myles/","k":"Contributor","s":"Contributor","x":"b.r. myles was born and raised in massachusetts, and is spending a year in mississippi. he shares life with his wife, shannon, and two devilish cats. his work has been featured in weird christmas, with another story soon to be published in tales from a space bar."},{"t":"Dongjun Luo","u":"/contributors/dongjun-luo/","k":"Contributor","s":"Contributor","x":"dongjun luo is a chinese writer and actor living in sydney, australia. her work explores migration, language, identity, and the quiet complexities of human desire and connection."},{"t":"Linda Busby Parker","u":"/contributors/linda-busby-parker/","k":"Contributor","s":"Contributor","x":"linda won the james jones first novel award and the langum prize for historical fiction for seven laurels, her novel set during america's civil rights movement. she served as a fellow in fiction at the bread loaf writers' conference and has published short fiction in provincetown arts, big muddy, and elsewhere."},{"t":"Richard Downing","u":"/contributors/richard-downing/","k":"Contributor","s":"Contributor","x":"richard downing has won the nuclear age peace foundation’s poetry contest, new delta review’s matt clark prize, new woman’s grand prize for fiction, and the solstice editors’ award. his work appears electric literature, malahat review, and consequence. he votes."},{"t":"Stan Kempton","u":"/contributors/stan-kempton/","k":"Contributor","s":"Contributor","x":"calling new orleans home but currently dedicated to the pursuit of being a fulltime gypsy with his intrepid wife of 36 years, stan kempton defines his writing by the many truths he’s stumbled upon in their travels. having been shortlisted and a finalist in numerous contests for his short stories, his work continues to appear in literary magazines."},{"t":"Issue-1","u":"/issue-1/","k":"Issue","s":"Issue","x":""},{"t":"December Smoke","u":"/december-smoke/","k":"Issue","s":"Issue","x":""},{"t":"Issue-2","u":"/issue-2/","k":"Issue","s":"Issue","x":""},{"t":"The Love Issue | The Span of Human Emotion","u":"/the-love-issue-the-span/","k":"Issue","s":"Issue","x":""},{"t":"May Smoke","u":"/may-smoke/","k":"Issue","s":"Issue","x":""},{"t":"July Smoke","u":"/july-smoke/","k":"Issue","s":"Issue","x":""},{"t":"November Smoke","u":"/november-smoke/","k":"Issue","s":"Issue","x":""},{"t":"January Smoke","u":"/january-smoke/","k":"Issue","s":"Issue","x":""},{"t":"The Love Issue","u":"/the-love-issue/","k":"Issue","s":"Issue","x":""},{"t":"April Anthology: Women on Fire","u":"/april-anthology-women-on-fire/","k":"Issue","s":"Issue","x":""},{"t":"Pride Issue","u":"/pride-issue/","k":"Issue","s":"Issue","x":""},{"t":"August | The Dopamine Hit","u":"/august-dopamine-hit/","k":"Issue","s":"Issue · The Dopamine Hit","x":"the dopamine hit"},{"t":"August Smoke","u":"/august-smoke/","k":"Issue","s":"Issue","x":""},{"t":"Stan J Wild","u":"/interviews/stan-j-wild/","k":"Interview","s":"Author Spotlight","x":"on writers' groups, casting philip seymour hoffman, and a last line written during a year of brain surgery."},{"t":"Jessica Edmond","u":"/interviews/jessica-edmond/","k":"Interview","s":"Author Spotlight","x":"on reading first, casting unknowns, and the women of afrofuturism who stand behind the fifteen."},{"t":"What We Mean By “Half Genre / Always Lit”","u":"/editors-light/editorial-letter-what-we-mean-by-half-genre-always-lit/","k":"Editor’s Light","s":"Editor’s Light","x":"at neon & smoke, we publish work that is half genre, always lit.writers ask us what that means.i suppose it’s a reflection of how we see the world: most people, in real life, are hybrids.we are soft and hard.tender and sharp.holy and unholy.poetry one minute and curse words the next.horny but ashamed. we want connection and we want distance.we want safety and we flirt with danger.we are brave and terrified, loving and cruel, often in the same breath.human beings don’t fit cleanly into categories"},{"t":"I Read Your Guidelines. I Still Don't Know What You Want.","u":"/editors-light/i-read-your-guidelines-i-still-don-t-know-what-you-want/","k":"Editor’s Light","s":"Editor’s Light","x":"literary magazines often describe the work they want in beautiful, ambitious language—but writers can still finish reading the guidelines with no clear idea whether their story belongs. this post examines the gap between mission statements and useful submission guidance, why greater editorial transparency benefits both writers and magazines, and why sometimes the confusion is not the writer’s fault."},{"t":"Because We All Have A Story","u":"/editors-light/because-we-all-have-a-story/","k":"Editor’s Light","s":"Editor’s Light","x":"june holds both pride month and juneteenth—vibrant celebrations of identity, community, and history. while unique, both share the vital journey of reclaiming marginalized stories. at editor"},{"t":"Editor’s Letter: Every Story Has Its Place","u":"/editors-light/editor-s-letter-every-story-has-its-place/","k":"Editor’s Light","s":"Editor’s Light","x":"a reflection on literary rejection, alignment, and finding the right home for your stories—from the editors at neon & smoke."},{"t":"Writing Can Be Lonely","u":"/editors-light/writing-can-be-lonely/","k":"Editor’s Light","s":"Editor’s Light","x":"writing can be lonely.not metaphorically lonely — literally lonely.it’s hours spent inside a mind no one else can access.it’s choosing silence when the world wants noise.it’s disappearing into a story only you can hear, only you can hold.most days, it’s just you at a desk, trying to say something the way it deserves to be said.and even when you finally finish a piece, the loneliness doesn’t end. you send it to a friend, a partner, a writing group, hoping they’ll feel what you felt while writing"},{"t":"On First Lines (What I’ve Been Learning About Them Lately)","u":"/editors-light/on-first-lines-what-i-ve-been-learning-about-them-lately/","k":"Editor’s Light","s":"Editor’s Light","x":"first lines won’t tell you everything, but they reveal more than you think. voice, tension, intent, energy. the best stories arrive already alive, carrying a quiet charge from the start. at neon & smoke, we’re drawn to that pulse, that hint of promise in the opening line that says something real is about to unfold."},{"t":"Why We Exist for the In-Between","u":"/editors-light/why-we-exist-for-the-in-between/","k":"Editor’s Light","s":"Editor’s Light","x":"every magazine has its lane. some publish horror that bites. others prefer fiction that aches quietly in the corners of the human heart. the literary ones say they want realism; the genre ones want monsters.but what about the stories that blur the line?the ones that live somewhere between the real and the imagined—between faith and fear, grief and transformation?those are the stories we love.neon & smoke was built for the in-between.for the stories that don’t quite belong anywhere else.for work"},{"t":"We Write, We Grow","u":"/editors-light/we-write-we-grow/","k":"Editor’s Light","s":"Editor’s Light","x":"remember when you first knew you wanted to be a writer?i was eight at the time. all of my friends wanted to be firemen and policemen. i wanted to write batman comics. (sometimes i still do.)back then, i thought it was about the action.now i know it’s about the words.we often say words have meaning. but they have more than meaning. they’re a kinetic force—able to cut, convince, and comfort. they linger. they travel. they land in places we may never see.as i’ve gotten older, i’ve come to understan"},{"t":"Submissions","u":"/submissions/","k":"Page","s":"Open calls and terms","x":"open calls and terms"},{"t":"About","u":"/about/","k":"Page","s":"About Neon & Smoke","x":"about neon & smoke"},{"t":"Masthead","u":"/masthead/","k":"Page","s":"Who runs it","x":"who runs it"},{"t":"Support","u":"/support/","k":"Page","s":"Ways to help","x":"ways to help"},{"t":"New Voices","u":"/new-voices/","k":"Page","s":"New & emerging writers","x":"new & emerging writers"},{"t":"Interviews","u":"/interviews/","k":"Page","s":"Author Spotlight","x":"author spotlight"},{"t":"Women Who Burn","u":"/anthology/women-who-burn/","k":"Book","s":"The anthology","x":"the anthology"}]